Manhattan (1979)

yama-bato:

Markus Amm at Herald St.

Untitled 2012

via

fletchingarrows:

krislee:

butterflyeffects:

The Murderer by Franz von Stuck, 1891.

The painting depicts the Furies — the goddesses of vengeance — as they lie in wait for the murderer who has just killed his victim.  The Furies signify the torments awaiting the murderer after he has committed his crime.

sweet nemesis

nottheredbaron:

Ferdinand Hodler

Night, 1890

fletchingarrows:

cavetocanvas:

Konrad Krzyzanowski, Portrait of a Russian Actress, 1897

(Submitted by marcepani)

so dramatic! i love the palette

fletchingarrows:

withnailrules:

Woman with Leopards by Sarah Stilwell, 1906

so elegant

thinbelts:

Me too Dwight, me too.

fletchingarrows:

maximiliani:

The Key Turns
(Design for the Eve of St. Agnes Window)
1924
Irish School
Pencil and watercolour on paper
27 x 29 cm

XLI

They glide, like phantoms, into the wide hall;
Like phantoms, to the iron porch, they glide;
Where lay the Porter, in uneasy sprawl,
With a huge empty flagon by his side;
The wakeful bloodhound rose, and shook his hide,
But his sagacious eye an inmate owns:
By one, and one, the bolts full easy slide:—
The chains lie silent on the footworn stones;—
The key turns, and the door upon its hinges groan.

“The Eve of St. Agnes”
John Keats

of course harry clarke would create gorgeous blue phantoms

fletchingarrows:

cough-thepainaway:

these are the best

love all the things.

fletchingarrows:

sumnermckane:

Washington, ca. 1906

do want this to be my life