Vermeer’s best-known portrait has joined a list of masterpieces deemed too fragile or too precious to be loaned…
(Source: beyond-the-canvas, via impressionsonmymind)
I used to be you
by Kyoko Hamada
"Big Still Lake "
Paper, cardboard, thread, papers, acrylic and gouache on paper
Millais called this painting “the picture with the dreadful blue-and-white page in the corner.” Do you agree?
The Ransom, 1860 - 1862, John Everett Millais. J. Paul Getty Museum.